A video studio in Gdańsk. Restaurants, hotels, exhibitions, fashion, cars and concerts — filmed on one 11mm lens, before anyone walks in.
One lens, one frame rate, one running index. Every project gets a number, whether it is a dining room at 7am or a car park at midnight.
Millimetres. One ultra-wide lens on every project, which is where the look comes from.
Frames per second, the European standard. 50 when the shot needs to slow down.
Years shooting this way, across venues, events and brands in Poland.
A single project, filmed in a day, delivered as a set of cuts you can use everywhere.
A shoot day every month and a steady flow of material, so your feed never runs empty.
A single film is delivered seven working days after the shoot. Vertical cuts come first, usually within three days, so you can post while the shoot is still fresh.
Usually the opposite. Most of the work happens in the hours before opening, when the room is empty and the light is ours. Two to three hours is normally enough.
It depends on the shoot day and how many cuts you need. Write with a rough idea of the place and the date and you get a fixed price, not an hourly rate.
Polish, English and Russian, for both the shoot and the captions.
Tricity is covered as standard. Anywhere else in Poland or Europe is fine, travel is added to the quote before you agree to anything.
You get an answer the same day.